Archive for March, 2009

Harold and Maude (1971)


USA
Feature Film

Director: Hal Ashby
Writer: Colin Higgins
Cinematographer: John Alonzo
Cast: Ruth Gordon, Bud Cort, Vivian Pickles, Cyril Cusack, Charles Tyner

A death obsessed, compulsive funeral attending young man, Harold (a pasty Bud Cort), meets a vivacious, carefree woman on the verge of her 80th birthday, Maude (a never better Ruth Gordon), and a tentative romance forms, in Ashby’s ridiculously funny, satirically nuanced, and swooningly romantic (?) take on the May-December relationship. Iain.Stott
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In an interview posted to MTV Movies yesterday, “Star Trek” producer Damon Lindelof was quoted as saying he’s hopeful his and J.J. Abrams’ reboot will be successful enough to warrant a couple more movies. “Ideas have been thrown around that are very informal at this point,” he said of potential plots for the future.

Well, it took only a few more hours for Variety to report that Paramount Pictures is in fact moving forward with the franchise, and the studio has hired Lindelof to collaborate on a script with “Star Trek” screenwriters Roberto Orci and Alex Kurtzman, which will be due this December in order to have the film in theaters by summer 2011.

Despite those ideas being thrown around, however, the trio will not begin a script for the sequel until they see what fans think of the first one. “Obviously we discussed ideas, but we are waiting to see how audiences respond next month,” Kurtzman said of the next film’s plot.
“With a franchise rebirth, the first movie has to be about origin. But with a second, you have the opportunity to explore incredibly exciting things. We’ll be ambitious about what we’ll do.”

Will such ambition lead to a follow-up comparable to “Star Trek II: The Wrath of Khan,” which reigns as the most popular and esteemed of the Trek films? Kurtzman’s statement does seem to align the reboot with original installment “Star Trek: The Motion Picture,” a debut often criticized for being a slow rehash of the franchise’s beginnings on the television series. It’s very possible that Abrams’ film will again feature too many origin-story drawbacks, particularly for the faithful Trekkies to stand.

But don’t hope for a “Khan”-like sequel in terms of continuity, because Lindelof and Co. have already admitted they’re taking the franchise into another direction. Or, in terms a Trekkie might prefer, another timeline. So, none of those thrown-around ideas is likely a callback to a specific television episode or film installment. Of course, if the new “Star Trek” film fails to strike a chord with moviegoers outside of Trek fandom, the filmmakers may want to try and appease the Trekkies more in a sequel — that is if Paramount even lets the franchise continue without the chance of expanding the audience.

As a technically and literally even-numbered installment, the newly announced “Star Trek” sequel will be a better film than the upcoming reboot, which must unfortunately be a disappointment according to the rules of the “Star Trek movie curse.” So, let’s hope the new film at least does well at the box office when it opens on May 8 in order to see what else Lindelof, Kurtzman and Orci have up their sleeves.

Where would you like to see the “Star Trek” franchise go after the upcoming reboot? Do you want the writers to boldly go where no episode has gone before, or are you hoping they’ll change their minds about the continuity and reference your favorite plots of the past?

The Only Son (1936)


Japan
Feature Film

Original Title: Hitori musuko
Director: Yasujiro Ozu
Writers: Yasujiro Ozu, Masao Arata, Tadao Ikeda
Cinematographer: Shojiro Sugimoto
Composer: Senji Itô
Cast: Chouko Iida, Shinichi Himori, Masao Hayama, Yoshiko Tsubouchi, Mitsuko Yoshikawa, Chishu Ryu

An ageing woman (the outstanding Iida) goes to Tokyo to visit her only son (the doleful Himori), bringing with her great expectations, in this, Ozu’s first sound film, an exquisitely beautiful and achingly moving examination of nobility, sacrifice, disappointment, and broken dreams, that can boast one of cinema’s most devastating final scenes. Iain.Stott

It’s hard to find a young woman who isn’t into “Twilight” these days, but we managed to when we sat down with ex-”Hills” member and current “City” star Whitney Port. “”I haven’t read the books, but I saw the movie,” she said. “I thought the movie was really bad.”

Port goes on to clarify that while she “loves” Robert Pattinson, she thought the acting was poor and that Kristen Stewart “seems so serious, like she’s so one-dimensional.”

Check out the video below for more, and then click here to read the rest of Whitney’s thoughts on “Twilight” here.

Marc Forster“Quantum of Solace” director Marc Forster lifted Khaled Hosseini’s first novel “The Kite Runner” to a new plateau of prominence when the film came out in 2007. The hot-button political and cultural issues that the story touched on, however, resulted in a delayed release of what was already a daunting project to put together.

Forster is currently looking ahead to his next film “World War Z,” but said that he looked at Hosseini’s second book “A Thousand Splendid Suns,” currently being developed at Columbia Pictures, opting to pass because he wasn’t ready to go through the gauntlet of demands posed by “Kite Runner” without some time on other movies.

“I met early on,” Forster told MTV News. “They gave me an early copy and said, ‘Look, would you want to do it?’”

In addition to searching for cast members along the Afghanistan-China border and plotting filming locations in the troubled region, “Kite Runner” also experienced a postponed premier due to fears that Afghani cast members might suffer persecution for their roles in the film after it came out. The release was held back to give one of the actors, Ahmad Khan Mahmoodzada, time to leave his country rather than risk being forced to flee like an actor just one year earlier in the movie “Kabul Express.”

“It was a tough movie to make under the conditions and everything,” Forster explained. “I don’t want to do that again for a while. I have to take a break.”

“A Thousand Splendid Suns,” which is the story of two Muslim women’s relationship while being married to the same man, was last mentioned to have “Schindler’s List” writer Steven Zaillian attached to write and direct. For now, Forster is content to see someone else take the reins, but he also also hasn’t rule participating on the project out, if called upon down the line.

“Maybe they’ll develop it,” Forster suggested, “and we’ll come to it in a different time and a different place.”

Would you have liked to see Marc Forster take the director’s chair for “A Thousand Splendid Suns”? Do you think he made the right call moving on to films like “World War Z”? Share your thoughts in the comment section below!

Partie de Campagne (1936)


France
Short Film

Director: Jean Renoir
Writers: Jean Renoir, Guy de Maupassant
Cinematography: Claude Renoir
Composer: Joseph Kosma
Cast: Sylvia Bataille, Georges Saint-Saens, Jeanne Marken, André Gabriello, Jacques Borel, Paul Temps

The attractive daughter of a Parisian family, spending an idyllic day in the country, enjoys a brief romantic encounter with a moustachioed local, in Renoir’s much loved, beautifully shot, and tenderly acted though cheesily scored and erratically paced short film. Iain.Stott

When “Indiana Jones and the Kingdom of the Crystal Skull” hit theaters last year, there was one person very clearly absent from the film.

Sure, George Lucas was able to bring back Harrison Ford to play the whip-slinging, womanizing archaeologist. He was even able to find a place for Indy’s old flame, Marion Ravenswood, played by Karen Allen. And yes, Lucas even brought in some new blood, with Cate Blanchett as a cold-blooded Soviet and Shia LaBeouf as Indy’s sassy son, Mutt.

But Lucas wasn’t able to get Sir Sean Connery to reprise his role as Indy’s dad, Henry Jones Sr. So, Lucas killed him off and has Indy mention it somewhere along the way in “Crystal Skull.”

Connery reportedly didn’t come back because he enjoyed being retired. Who can blame him? And, given that he is retired, he had just enough time to check out “Crystal Skull.” When MTV News caught up with him Monday night in New York, we just had to know what he thought of franchise’s newest installation.

“Did I see the latest? Yes, I did,” he said, adding, “I thought it was rather good.” But the screen legend did have one criticism of the film: “Rather long.”

L’Atalante (1934)


France
Feature Film

Director: Jean Vigo
Writers: Albert Riéra, Jean Vigo, Jean Guinée
Cinematographers: Jean-Paul Alphen, Louis Berger, Boris Kaufman
Composer: Maurice Jaubert
Cast: Dita Parlo, Jean Dasté, Michel Simon, Gilles Margaritis, Louis Lefebvre

A just-married barge skipper, struggles to juggle professional with personal commitments, as he takes a working honeymoon, traversing the canals of northern France, with his new wife and, problematically, his crew in tow, in this comic, elegantly shot, and much admired film. Iain.Stott