Vote the Movies

1. "Avatar" ($30 million)
2. "Edge of Darkness" ($17.1 million)
3. "When in Rome" ($12.1 million)
4. "Tooth Fairy" ($10 million)
5. "The Book of Eli" ($8.8 million)

To the surprise of absolutely nobody, "Avatar" once again topped the box office charts this past weekend for its seventh straight weekend victory. Following the $30 million haul, James Cameron's latest film sits atop a domestic money pile worth $594.5 million and is well within days of eclipsing "Titanic's" current record of $600.8 million.

Beating "Titanic" at the domestic box office is more or less the last meaningful record that "Avatar" has to break. Early last week, the science fiction epic secured its place as the highest grossing film of all time, having brought its worldwide tally up to $2.04 billion. Despite the victory, many are quick to point out that "Avatar's" current record isn't adjusted for inflation or the significantly higher cost for 3-D ticket purchases. But even with those exceptions in mind, there's absolutely no denying the unprecedented success this movie has enjoyed in only seven weeks in theaters.

In the world of non-"Avatar" news, Mel Gibson's return to the spotlight in "Edge of Darkness" wasn't able to slow down the 3-D epic's momentum, taking home a $17.1 million second place medal. Newcomer "When in Rome" and holdover "Tooth Fairy" took the third and fourth place slots while Denzel Washington's "The Book of Eli" earned a fifth place finish worth $8.8 million.

Although it didn't crack the top five, "Crazy Heart" nonetheless left the weekend with a solid $2.3 million over just 239 theaters, translating to a $9,414 per screen average. On the opposite end of the spectrum was "Extraordinary Measures," the Harrison Ford and Brendan Fraser film that earned only $2.6 million from Friday to Sunday, a 57% drop from its debut last weekend.

Tell us what you think of the box office results in the comments section or on Twitter!

1. "Avatar" ($7.5 million)
2. "Edge of Darkness" ($5.7 million)
3. "When in Rome" ($4.4 million)
4. "The Book of Eli" ($2.5 million)
5. "Tooth Fairy" ($2.3 million)

After seven straight weeks in theaters, you didn't really think that "Avatar" would fall from the top of the charts, did you? James Cameron's science fiction epic continued to barrel ahead of the competition on Friday with a $7.5 million intake, bringing the record-smashing film's cumulative domestic tally up to $572 million.

Already, "Avatar" has taken the all-time worldwide record away from "Titanic," Cameron's previous record holder, though the 1997 Oscar winner remains the film to beat when it comes to the domestic box office with a $600.8 million total. Given the success that "Avatar" continues to have, however, it's a sure bet that the Na'vi of Pandora will claim that record from "Titanic" as well.

But "Avatar" wasn't the only noteworthy film at the box office on Friday, as Mel Gibson made his return to acting in "Edge of Darkness," director Martin Campbell's adaptation of his BBC television series from the 1980s. The thriller earned a second place finish worth $5.7 million, certainly an admirable effort but not quite the result that Gibson was used to seeing in his prime.

Third place went to "When in Rome," the romantic comedy starring Kristen Bell and Josh Duhamel. Denzel Washington's "The Book of Eli" continued to impress with a respectable fourth place finish, bringing the movie's domestic total up to $68.1 million thus far. "Tooth Fairy," the Dwayne Johnson family comedy now entering its second week in theaters, took the top five's final spot with $2.3 million.

Tell us what you think of Friday's box office results in the comments section or on Twitter!

Title: "The Mandalore Plot"

Director: Kyle Dunlevy

Writer: Melinda Hsu

Story: The episode opens on Obi-Wan Kenobi (James Arnold Taylor) as he arrives on the planet Mandalore to meet with its ruler, Duchess Satine (Anna Graves), who sits at the head of the Council of Neutral Systems. While it is her wish to stand apart from the Clone Wars, a splinter group of terrorists known as the Death Watch make that impossible due to an apparent link with the Separatists. Obi-Wan and Satine, who have some sort of shared history, head to the nearby moon of Concordia in their investigation of a bombing on Mandalore. There they discover that the Death Watch is much larger than believed, nearly losing their lives in the process.

Ner Vod?: Fans of previous characterizations of the Mandalorian people in the Expanded Universe, brace yourselves: continuity is thrown to the wind. If you walk into this episode expecting to see the rough, brutish race of warrior-nomads, you're going to be sorely disappointed. Even the Mandalorian armor, made so famous by Fetts Boba and Jango, is shown as standard-issue kit rather than each one being a unique reflection of its wearer. To be fair, we get only the briefest of glimpses of Mandalorian culture in this episode; the society that fans of the EU have come to know and love may exist elsewhere on the world. But these are not the Clone Wars-era Mandalorians described in so many high-profile "Star Wars" book releases.

Obi-Wan's History: Maybe I'm just a forgetful fan, but I can't recall any mention of Obi-Wan having a history with someone named Satine. This is surely a relationship we'll learn more about as the next two episodes unfold, but there's clearly a past connection -- possibly romantic? -- between the two. It would make for an interesting twist, given the firm stance Jedi take on avoiding attachment.

Mando Saber Jockey: The episode's Big Bad, Concordia governor Pre Viszla (Jon Favreau-- yes, that Jon Favreau), may not be a Force-user, but he's a badass Mando warrior with his fair share of trophies. One of those is a slick lightsaber with a katana-like grip and a -- gasp! -- black blade. It's not the first occurrence of a black-bladed lightsaber in the "Star Wars" universe (see also: "Star Wars: The Force Unleashed"), but it's undeniably cool. Especially when Viszla uses it to hold his own against master swordsman Obi-Wan.

Get Over It: Fans of the EU -- myself included -- are no doubt balking a little bit at the departures "The Mandalore Plot" makes from the established EU continuity. One of the most enjoyable things about taking in the continuing tales of George Lucas's universe is the parity between film and book and comic and video game. There's a definite break here, and an unfortunate one considering what a treasured piece of "Star Wars" lore the Mandalorians represent. That said, "The Mandalore Plot" is an entertaining piece of fiction with enough of an attachment to what's already been established to bring a smile to this fan's face. I'll be curious to see how the Death Watch develop over the next two episodes and how the Mandalorian culture is portrayed from here.